Written by Vayu, this one has a decent hook to it as at least that gets stuck in your mind for a while. Last to arrive is Sunidhi Chauhan sung 'Piya Aa', an item number set in 80s retro. Divine and Kirthi Shetty come together to sing this one but can't really push it beyond the situational appeal. However, 'Bantai' comes across as a poor cousin and just doesn't entice the listener. The song was a big chartbuster in director Apoorva Lakhia's most notable success, Shootout at Lokhandwala. Kirthi Shetty a.k.a Slim Shetty (yes, that's the name of the lyricist!) puts together 'Bantai' which aims at being the next 'Ganpat, Chal Daaru La'. Later, there is also a 'sad version' of the song which in fact turns out to be forgettable. In fact it also leads to faint recollection of 'Khuda Jaane' though the Vishal-Shekhar composed number was a much better creation. The sound of the song is alright but comes across as the kind that was prevalent 10 years back. It is a sober start for Haseena Parkar as Arijit Singh kick-starts the proceedings with 'Tere Bina', a love song, which has lyricist-singer Priya Saraiya join him behind the mike. Yes, there are names like Sachin-Jigar involved but by and large you are okay with whatever little that is eventually offered. Moreover, you don't really look forward to anything memorable since the film is a gangster drama and hence doesn't really have place for music which would go places. You expect a conventional soundtrack for Haseena Parkar with a love song, and item song and a situational track filling it in.
These will be used as part of the film’s soundtrack.” Also, Shraddha will sing a theme song composed specially by Sachin Jigar celebrating the life of a woman who was forever shadowed by her brother’s criminal records.Haseena Parkar Review & Review Rating Says a source, “Apoorva Lakhia’s producers have bought the rights of some of the biggest chartbusters of the 1970s including Chura Liya Tumne Jo Dil Ko from Yaadon Ki Baaraat and Arrey Diwanon Mujhe Pehchanon from Don. He will use retro music in a big way to fill the lacuna created by an absence of contemporary songs. This means she can’t do any of those filmy things that heroines are expected to while promoting a film,” says a source.Ĭreative as ever, director Apoorva Lakhia has got a plan to overcome this issue. How does one go about promoting a film that doesn’t have any songs? “Haseena in Apu’s film cannot sing and dance like Shraddha in Rock On and Half Girlfriend. Apoorva Lakhia’s highly anticipated bio-pic on Dawood Ebrahim’s sister Haseena Parkar is facing a peculiar problem.
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